Monthly Archives: October 2020

Monthly Archives: October 2020

Sending Artwork Pieces Via Postal Service

So, your artwork has been commissioned and received the half of payment for it. Now, the next thing that you ought to do is to send it to the buyer to be able to get the other half. Sure, you have plenty of options like by using logistic services such as FedEx, DHL and so on. However, let us just be real that their services can be quite costly especially for someone who is on a budget. So what to do then?

Sending through the Postal Service

If you are actually looking for an affordable option and if you’re buyer is willing to wait for the artwork, you can actually use post office service to have it sent to them.

Assuming that your artwork can’t be rolled up or folded, then the very first thing that you have to do is wrapping the painting or print using plastic shrink wrap. After that, find yourself some cardboard and get the measurement of your work. Cut the cardboard that fits it just right when it is folded.

Only use quality packaging tape to be able to secure the cardboard in place. This is going to create a secure and firm inner box for your artwork.

To add more protection in it, it will be highly recommended to use layers of bubble wrap in it.

Packaging Prints

In order to prepare posters and prints that can be rolled up, see to it that you have taken its measurements and has its width and length. This way, it will help you in choosing the appropriate size of packaging afterwards. Then after, roll it up carefully and use masking tape around it. This is going to give it a tight seal and prevent it from unrolling itself during transit.

What Packaging Material to Use?

Say that you have small pictures, you can actually buy corrugated cardboard boxes that have foam cushion inside. As for bigger artworks though, it is extremely important to get a box that is a bit bigger than the actual piece. This is going to stop the artwork from moving all over the place which may possibly damage it.

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The Way America’s Largest Theater Chains Are Exploiting Their Janitors

Each night, after the final show ended in the AMC theatre in Santa Monica, Maria Alvarez came to the office. She and her husband had the key to allow themselves in. It was after midnight, and the building had been vacant. Collectively, they washed all of seven auditoriums. They vacuumed the rugs and mopped the floors. They cleaned the bathrooms and restocked the toilet paper. They polished the escalators and scrubbed the glass concession instances. To learn more about cleaning tools, check out quale aspirapolvere.

Cleaners and their Work Experience

They ended after sunrise. On weekends, once the theaters were particularly filthy, they remained later, before 9:30 a.m. Alvarez worked seven days per week. There were no days away, no sick days, no vacations. The day that my son passed away, I asked for the afternoon, and they didn’t wish to give it, she said through tears throughout a labor hearing in 2017.

Alvarez washed theatres for 2 and a half a year. She had been paid $300 per week roughly $5 an hour. Filmmakers frequently talk of magic which could occur only in a movie theatre. As ticket sales have stagnated and Netflix has removed, the sector has become more and more protective of their theatrical experience. But claiming that expertise is dependent on employees such as Alvarez, who are underpaid, overworked, and readily expendable.

The significant chains AMC, Regal Entertainment, and Cinemark no more rely on teenaged ushers to maintain the flooring from becoming sticky. Rather, they’ve turned into a huge immigrant workforce, frequently hired through layers of subcontractors. This arrangement makes it nearly impossible for janitors to produce a living wage.

Alvarez got hurt at work, and a physician recommended a lighter workload. When she made this request in April 2015, she had been terminated. The next year, she registered a California Labor Commission claim for unpaid wages, including overtime. The hearing officer granted $80,000 in back pay and penalties. However, Alvarez couldn’t collect. She didn’t work right for AMC or its janitorial contractor, ACS Enterprises, which protected them from accountability. Rather, she worked for a few Alfredo Dominguez and Caritina Diaz that hadn’t shown up to the hearing.

Even Dominguez and Diaz did not believe her a real worker. In their heads, she had been a builder of AMC Theatres. AMC and ACS did send a lawyer to resist her wage case. In the long run, the firms agreed to pay her $3,500 to go away.

Over the previous eight weeks, Variety has researched wage complaints from film theater janitors throughout the nation, reviewing class-action suits, state labor commission documents, and investigations from the U.S. Department of Labor. A very clear pattern emerged: AMC along with other theatre chains keeps their costs down by relying upon janitorial contractors which use subcontracted labor. Those janitors typically don’t have any wage or job protections, toiling on among the lowest rungs of the U.S. labor marketplace.

It’s customary for janitors to operate all night. Some employees told variety they had witnessed parents bring their young children to operate, allowing them to sleep on the ground or at the theater seats. To make the job go quicker, some janitors use leaf blowers to clean popcorn and wrappers from the aisles. However, the blowers leave dust around the speakers and displays, and many theaters have prohibited them. Rather, janitors normally go row by row using vacuums. They wipe off the salt on the chairs and wash soda stains from their cup holders.

That is so similar to agricultural employees. They are walking rows how agricultural employees do, says Brandt Milstein, a lawyer who filed a class-action lawsuit in Colorado on behalf of Cinemark janitors. The theatre chains are mostly immune from legal consequences. Since they don’t directly apply janitors, they’re usually excluded from class-action wage instances. However, some from the janitorial company says the chains are conscious of what is happening and are ultimately accountable.

The theatre businesses are super economical, says one particular firm executive who didn’t need to be recognized to protect business associations. A lot of these men, do not care if you utilize slave labor. Based in Leawood, Kan., AMC is the nation’s largest theater chain, together with 637 places. Based on interviews and documents obtained by Variety, AMC used to hire over a hundred businesses to offer janitorial service. But a few years ago, the firm embraced a national associate version, finally scaling down to two suppliers nationally: ACS, based in Pomona, Calif., and KBM, based in Hendersonville, Tenn.

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